I think the problem is that, the real and original fights of suffragettes are better narratives and no less dramatic, but this story has to rely on fictitious characters, which may relate to broader suffragette profiles, but lack development and genuineness. Emmeline Pankhurst.
Such A Poser!调侃致敬重叠了嘲解前身与摹仿传承姿态,皮尤以飒爽凌厉的动作和细腻动人的演技许诺未来潜力的同时也作为约翰逊继任者通过姐妹和解传达接棒的憧憬与告别的重生。幻想中盛大谢幕终究如同居于漫威体系末端的女性项目和角色离世后迟来的独立番外,迟暮之意给homecoming起源故事罩上浓重阴云。产业配方化的动作戏毫无亮点,家庭情感线索仍是不肯稍作深焦的轻浮说辞。女权陈设没能跳脱漫威趣味算法的标准额定配量,厨房密闭空间打斗和红光炫目团战多少有些catfight意味。剧情松散疲软,犹如廉价寓言符号所指落日远逝的帝国余温。孤儿变成寡妇又重回女性自由意志,意识形态的「孤」和正义诉求的「寡」空泛到对赤色的指控仿佛知觉训化后的刺激。温柔暮色浸沐她与命运对视迎来的释然,也让观众以泪并笑终于放手。